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Free Priority Mail Shipping on all purchases over $500.00
Orders ship in 3 ~ 10 days
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About Tresa Vorenberg
Tresa Vorenberg began her career as a silversmith’s apprentice with Richard Crawford in 1974. A passion for designing and hand making jewelry grew into the opening of her first designer jewelry gallery, “The Silver Bird,” in Kansas City’s prestigious Crown Center later in the same year. Her commitment to representing additional top jewelry designers also began at that time.
Following her desire to return New Mexico and be surrounded by the open desert, she rejoined her family in Santa Fe in 1981. Tresa continues to design and hand make jewelry as well as feature the work of over 30 local, national, and international designers at Tresa Vorenberg Goldsmiths on Santa Fe’s Canyon Road.
Tresa specializes in fine quality custom work suited for the individual. She is a master of many techniques and works with a wide variety of gemstones, diamonds, and fancy colored diamonds set in karat golds. Her fresh contemporary style sets her jewelry apart. Her concern with the function and comfort of each piece is the cornerstone of her success.
“What I love about jewelry making is the avenue it gives me to celebrate life and joy. I often have the privilege of looking into windows of people’s lives and getting to make something of significance to help them commemorate an event. It could be wedding rings, an anniversary or birthday gift, saying ‘Thank you, you’re special!’ or celebrating one’s self worth. It’s my own way of devoting my life to ‘The Good,’ and in some small measure, helping to bring it about.” Tresa muses.
Following her desire to return New Mexico and be surrounded by the open desert, she rejoined her family in Santa Fe in 1981. Tresa continues to design and hand make jewelry as well as feature the work of over 30 local, national, and international designers at Tresa Vorenberg Goldsmiths on Santa Fe’s Canyon Road.
Tresa specializes in fine quality custom work suited for the individual. She is a master of many techniques and works with a wide variety of gemstones, diamonds, and fancy colored diamonds set in karat golds. Her fresh contemporary style sets her jewelry apart. Her concern with the function and comfort of each piece is the cornerstone of her success.
“What I love about jewelry making is the avenue it gives me to celebrate life and joy. I often have the privilege of looking into windows of people’s lives and getting to make something of significance to help them commemorate an event. It could be wedding rings, an anniversary or birthday gift, saying ‘Thank you, you’re special!’ or celebrating one’s self worth. It’s my own way of devoting my life to ‘The Good,’ and in some small measure, helping to bring it about.” Tresa muses.
Testimonials
Hello, Friends
We arrived home late Monday, so this is the first chance I've had to write you a thoughtful thank-you for your part in making September 13 "one of the best days..." of Ann's life... right up there with wedding days and the birth of children.
I'm including all of you in this thank you: Pattie for setting up the "sting" and introducing me to Tresa; Tresa for her patience with my "bring me a rock" project; her fine art and workmanship that was beyond expectation; and the hospitality shown us by the kind and warm ladies who work with Tresa. (I am sorry I am bad at names, because I would like to thank each of you for the plan a and b scurrying around, the genuine smiles and tears that added to the celebration... and lets not forget the cucumber water).
Ann told me later that her eye went right to the angel, not because it was the only silver in a showcase of gold, but because it "moved". It shimmers as light and shadow cross the wings and the waves Tresa formed into the skirt. More than that, Ann told me it pulled her in, in the mystical way things that speak to you do.
The way Ann lives her life, she would never walk into a shop like TVG Goldsmiths (that would fit right in on Rodeo Drive... if you wanted to go slumming). It represented the unattainable in a way that has nothing to do with cost. Certainly the same would hold true of what is inside the display cases. Then Ann saw something , still unattainable, that spoke to her, and in the next moment it was hers and filled with unexpected meaning. When I wrote that just now, I saw clearly how it is possible to give inanimate objects a soul.
I wanted Ann to see her goodness in a very concrete way, so she would be at peace with the way she spent a life. That little silver angel with a soul, presented in such a loving way by all of us is doing just that.
It is not enough to say thank you but,
Thank You, just the same,
S.D. 9.27.17
We arrived home late Monday, so this is the first chance I've had to write you a thoughtful thank-you for your part in making September 13 "one of the best days..." of Ann's life... right up there with wedding days and the birth of children.
I'm including all of you in this thank you: Pattie for setting up the "sting" and introducing me to Tresa; Tresa for her patience with my "bring me a rock" project; her fine art and workmanship that was beyond expectation; and the hospitality shown us by the kind and warm ladies who work with Tresa. (I am sorry I am bad at names, because I would like to thank each of you for the plan a and b scurrying around, the genuine smiles and tears that added to the celebration... and lets not forget the cucumber water).
Ann told me later that her eye went right to the angel, not because it was the only silver in a showcase of gold, but because it "moved". It shimmers as light and shadow cross the wings and the waves Tresa formed into the skirt. More than that, Ann told me it pulled her in, in the mystical way things that speak to you do.
The way Ann lives her life, she would never walk into a shop like TVG Goldsmiths (that would fit right in on Rodeo Drive... if you wanted to go slumming). It represented the unattainable in a way that has nothing to do with cost. Certainly the same would hold true of what is inside the display cases. Then Ann saw something , still unattainable, that spoke to her, and in the next moment it was hers and filled with unexpected meaning. When I wrote that just now, I saw clearly how it is possible to give inanimate objects a soul.
I wanted Ann to see her goodness in a very concrete way, so she would be at peace with the way she spent a life. That little silver angel with a soul, presented in such a loving way by all of us is doing just that.
It is not enough to say thank you but,
Thank You, just the same,
S.D. 9.27.17